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Balance

9/1/2017

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The obvious concept here was to build two dragons into a yin-yang style design. I actually had a lot of fun drawing up the diamond scales. Two opposing forces that exist in harmony. 

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A good egg

8/31/2017

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Water Dragon

8/30/2017

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Here's a sketch for all of my staunch mates in the lower south east
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The last thing a fish would notice is water

8/26/2017

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Not the cry, but the flight of a wild duck, leads the flock to fly and follow.

3/27/2015

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Around a flowering tree, one finds many insects. 

3/25/2015

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Band Photo Shoots - Ghyti

3/14/2015

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I recently had the band Ghyti visit my studio for some updated photos with their new guitarist Nick.  The vignetted group composition (top left) was made by placing a toilet roll insulated with foil over the flash so it sent a very direct but randomly shaped beam of light at the faces.  There's some light painting and double exposure in there too as well as a standard outdoor group shot at dusk. 

You can check out and a music video from Ghyti below.  The video was made using a series of stills I took with a Nikon d40.  Find out more about Ghyti here  https://www.facebook.com/ghytiandthephilanthropicorchestra

If you are a band and are interested in photography or video to help promote your work I take on a few projects a year so I might be able to help you out.  Email me here : [email protected]
 

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Between the Heavenly Planes

2/14/2015

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The Wooden Dragon Spirit is plane hopping, separating the cloud barrier between his level of heaven and that of the spirits of water, he answers a question for Master Fish  by saying "Each life has its way, each way is a journey. And to leap to its end is like jumping from birth to death".
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Rememberz Alright

1/3/2015

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The Rememberz have just released a video I created in conjunction with the band.  It was a new approach for me in that the band gave me a stack of handycam footage and two hours with a Ford Galaxy to take as much footage as I wanted. 

I've spent a few late Saturday's infront of Rage watching "Karma Police" by Radiohead so it was my first point of reference and a heavy influence on the video.  The band wanted a certain vintage look, which alongside of Tarantino, I too enjoy.  Thank you to the various Youtube users that provided me with film grain overlays.

As an added point of interest I worked in a format of 1920x860, aiming to give it a particularly wide screen look.  Hopefully it's something you like : 
There's also a Rip It Up article that gives a good summary of the video and the band.
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Having Fun

12/4/2014

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Here's how my mates and I spent our time a few weekends back. They played music, I drew pictures. Just doing what we like to do. Thanks for the vid spoz
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How do you like these eggs?

11/22/2014

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Hey everyone, here's a little experimental pot I created.  It was meant to hold some sort of succulent plant but for the time being it's a useful vessel for holding my chickens fresh eggs.  I'm considering doing a series of animal pots, what do you think?
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Wild at Hart

11/21/2014

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Pre Xmas Push

11/16/2014

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I'm putting in a last hard push to get through a few creative projects in the last weeks before Christmas. I'm channeling my inner Tarantino for the current music video I am working on and of course I am painting some fish.   I'm also going to perform some live art with Trent Worley this Sunday at Wild at Hart markets at Port Adelaide 10am-12.


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Three Brothers

11/6/2014

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Three Videos Shot in Five Hours

10/31/2014

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Sam Williams, featured in "Black Betty"

The Experiment


In this experiment I teamed up with The Hushes on a Sunday morning about 5 months ago.  We decided to shoot only 2 takes per band member per song and any mistakes were not to be re-shot.  Only 2 cameras could be used at once and what ever footage we had at the end of 5 hours would create the final three clips.

Rain and Snow 

The first video shot was "Rain and Snow" and it was featured as part of the Live at the Port Youtube series.  Originally it was one of my least favourite sets of footage perhaps due to the mustard walls we used as a backdrop.   It turned out to be a positive in that it gained a vintage look that I tried to play on.  As an overlay I used out of focus footage of flashing LED lights which I was hoping would add an element of playfulness and variations in colour.


Here Comes the Flood

In my mind, Here Comes the Flood was supposed to have a claustrophobic, sweaty, swampy feel to it..  The backdrop was a scarlet sheet back-lit with a spot-light while a hint of natural light was channeled through a doorway to light the front. Coincidentally the air conditioning wasn't working in this studio so that little bit of extra shine to the skin was a bonus.  To cap it off a fly was buzzing around Emily Davis's head in one section of the footage.  But we adhered to the rules of our experiment and didn't re-shoot so if you watch carefully you can see it in the final edit.


Black Betty

We had progressed well through the first two videos and still had over 2 and a half hours left in the experiment.  The band took a break  to change outfits while I grabbed some footage of Sam Williams armed with a roller on a stick and a tin of white paint.  The Hushes returned and the syncs were shot back to back like a factory production line.  As it turned out we had plenty of time left over.  There was in fact footage taken of The Hushes playing poker and brawling over a cheating dispute that didn't make the final cut.  Perhaps that might be another video down the track. 
The Hushes were really on the ball and kept up their light hearted enthusiasm the entire time.  Thanks to everyone involved!
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Backyard Painting at Dusk

10/23/2014

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Andy Roberts Semaphore Music Festival

10/20/2014

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Speekup Living Conditions

9/16/2014

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Part of the fun of making music videos is working with the client to create a script that fulfills their vision.  In the creative process you often diverge and I've found this can happen due to having to choose higher quality footage over footage that belongs on the cutting room floor as they say.  The editing process is  instrumental in building  the path of the video and in the case of Speekup's "Living Conditions" I was able to edit as we shot the film.  We met every couple of weeks for 1-2 hours of filming, which upon completion I would go back to the computer and load in the footage.  Working this way  was unique in comparison to the last few clips I've made in that we could assess the script as we progressed.   It's dependent on the  client's time constraints of course but fortunately in this case we had the luxury of time on our side.  

Anyway, blah blah blah,  here's the clip :
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"Sane Again" Sean Kemp

8/28/2014

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The Loyal Supporter, Old Man Crow

8/15/2014

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